Teenage Engineering PO-35 Speak Pocket Operator

Product Information

by saving this cost, high quality components could be used to guarantee the best possible sound and very low power consumption. There are 16 key buttons, labelled 1-16. These act as sequence steps, notes andpattern slots depending on how you use them with the function buttons. The PO-32 is another dedicated drum machine, but with a number of tweaks that take the functionality up a couple of notches. It offers 16 initial sounds courtesy of a complex onboard synth engine – complex in that you can transfer your own VST sounds onto it. This essentially means you’ve got an unlimited number of sounds to play with. The screen sets a scenewithanimations that move and groove to your sequences. Italso displays some useful parameter information. The ‘write mode’ indicator is one of the most useful items on your display. It's worth noting is location, as this changes from unit to unit. Other than looking at the manual, the best way to find it is to toggle the 'write' button and observe where it appears / disappears from. Knowing whether you're in 'write' or 'perform' mode will always be useful, as you don’t want to accidentally overwrite your work!

Again, it’s in the name. The Speak is a synthesizer aimed at creating weird and wonderful vocal sounds. Sample your vocals (using the built-in microphone), and apply 1 of 8 vocal styles, plus 1 of 8 built-in effects and let the weirdness flow. It’s also got built-in transpose and scale features for tune making, as well as that cheeky micro drum kit that can be tweaked on the fly. PO-12 Rhythm - a basic drum machine with 16 sounds and 16 effects. Two of the sounds are melodic, and can be sequenced in scales. [7] It has a maximum multitimbrality of six parts at a time. Its design is of a sewing machine. [3] That’s a stark warning that’s hard to ignore, but once you’ve overcome that hurdle and done so anyway, you’ll be pleased to have a crunchy, lo-fi sampler and voice synth at your disposal. You can apply one of the 8 included voice characteristics (these are the synthesis algorithms) to the audio you’ve recorded. These alter the sound of your voice or an audio sample, such as autotuning your voice or making you sound like a robot.The Office literally uses sounds sampled from an office environment. We’re talking floppy disks, keyboards, the works. Its advanced sequencer also allows you to incorporate additional drum and synth sounds to build unique, organic-sounding grooves. You’ve got 16 sounds in total, with 128 patterns (and chaining), 16 built-in effects and a unique solo function. Use the built in microphone to instantly record your own voice, and completely change its character. play with it, sequence it and add effects and drums on top. Adding that sound with different pitches, from Barry White to a squealing pig, is as simple as placing it in a pattern location while twisting the left dial to adjust pitch. Start messing with the real time performance effects and you’ll have a jittery, slippery tune in no time. Never has so much fun been had within 30 seconds. caution: changes or modifications not expressly approved by the party responsible for compliance could void user’s authority to operate the equipment. The PO-32 Tonic Drum Synth is a powerful drum machine with a plethora of controls. It’s a noise-maker that’s both motivating and amusing. It includes MicroTonic compatibility, much like PO-35, to provide you with a complete quality product. 16 performance effects, sounds, and a 16-step sequencer are included. Because it was created in partnership with Sonic Charge, a Swedish company, the instrument is far more versatile. Furthermore, PO-32 is ideal for users who want to tweak and overwrite their audio palette by using the plug-in to create patterns and new sounds.

Know the specific type of synthesis used – analog modeling, FM, additive, etc. This affects the sonic character.KO (PO-33)– Another sampler, but this one is more focused on being a groove box and allowing you to use your samples to make music than the PO-35, which is more focused on being able to morph and change your samples with special effects. PO-32 Tonic - a drum machine based on the MicroTonic VST plugin made in collaboration with its developer Magnus Lidström. It has control over each part's pitch and morph (blend between two sounds). [18] Tonic can have sounds and patches replaced by data transferred from MicroTonic using the microphone/line in. [20] Its design is of people drinking at a bar and was made by Ivana Kouthoofd, the nine-year-old daughter of Teenage Engineering's CEO. [20] If the PO-14 is the bass synth, this is the lead. As with the Sub, it was 15 sounds and a micro drum machine on board to add a bit of movement to your parts. A 16-step sequencer records your pitch, note length, drum parts and effects, and you can save up to 16 patterns to easily recall later. This one is great as a standalone music player, but it also has something special to offer when used as part of a larger music setup. Pros